Colour
There was no such thing as a colour.
There was no such thing as a colour.
There was
colour.
It had
shades of grey,
getting
darker towards black and lighter towards white.
That was
the sky.
My
trousers were black.
There was
no such thing as a colour.
There was
colour.
It had
strands of fawn,
getting
brighter towards yellow and paler towards cream.
That was
the shore.
My
teeshirt was yellow.
There was
no such thing as a colour.
There was
colour.
It had
leaves of olive,
getting
fresher toward green and duller towards brown.
That was a
hedge.
My fleece
was green.
Why was my
fleece simply green,
my
teeshirt plainly yellow,
my
trousers only black,
so
monotone, so certainly a colour,
when all
around me was no such colour?
I don’t
know.
Stewart Connell
Garstang's Wyre.
If a river could talk what tales would it tell? Whose feet has it felt, tramping the sandy sides?
If a river could talk what tales would it tell? Whose feet has it felt, tramping the sandy sides?
It
watched, in flood and fallow, the building of the castle and flowed in silent
witness as Cromwell laid it waste, musket shot and cannon ball peppering the
shallows.
It
yielded as bridges were built to cross it, ferrying merchants across silty
waters, while further west Columbus spanned the ocean blue.
Mills
sprang up on its banks, diverting the flow through a leat, while salmon leaped
and ran to spawn further up. It selflessly gave itself to power the wheel
whilst the clogs of the mill workers rang out on the cobbles on their daily
commute.
Further
along, generations of children swung out over its pools onto Monkey Island,
screaming and whooping as pirates and adventurers, battling and bonding in
equal measure.
And
then under the aqueduct, where canal crosses river, rising stately and imposing
from the banks, stalactites emerging from the arch. The scene of dares for
local youths to climb the balustrade and walk the ledge a foot's width above
the precipice, risking life in the plunge to shallow bed below.
And
now it plays host to the pleasure cruisers and the dog walkers and the cyclist,
a blur of colour like human Kingfishers or the ramblers tramping more sedately;
like Wainwright in the footsteps; like all those that have gone before.
It
will still be here when the last of us has said farewell, steadfastly,
resolutely making its inexorable journey to the bay; mindful of the ones who
share time with it but outlasting them all.
Ian Crook